Vidéo de présentation Workflow Red : Metafuze et media Composer
Diagram 1: Sample Workflow. Detailed information related to the applications above can be found in the Avid Resources and Third Party tabs.
Using RED camera files in Avid was flawless and as fast as any project I've edited. We lost no time and the RED files came into the Avid [editing system] without a hitch. The Avid workflow gave us the advantages of RED files with the professional support and flexibility of cutting on Avid. -Drake Silliman, A.C.E.
Editor, "Heist" starring Rick Jordan from EBS Entertainment
Easy import. Ingest picture, sound, and metadata from the RED ONE camera.
Native to native. Eliminate QuickTime from the process. Use Avid MetaFuze to transcode R3D files to Avid DNxHD for a truly efficient and dependable workflow.
Ultimate Conform. Finish in Avid DS, the most complete finishing solution for any native RED project.
Finish anywhere. Extensive metadata management for HD or DPX finishing within an Avid product or via third party conform solutions.
No need to choose. Simultaneous tracking of both time of day (TOD) timecode and edgecode.
Keep your color. All color parameters created by REDrushes are preserved and passed through.
Triple play. Use any combination of source references in DI conform: timecode, edgecode, DPX file name/frame count, in addition to the original R3D file name.
Clips: you name it. Edit with friendly, meaningful descriptions for clip names, such as scene and take, without restricting the conform process.
Open to new possibilities. XML representation of the sequence metadata opens the door to third party integration.
Diagram 1: Sample Workflow. Detailed information related to the applications above can be found in the Avid Resources and Third Party tabs.
Using RED camera files in Avid was flawless and as fast as any project I've edited. We lost no time and the RED files came into the Avid [editing system] without a hitch. The Avid workflow gave us the advantages of RED files with the professional support and flexibility of cutting on Avid. -Drake Silliman, A.C.E.
Editor, "Heist" starring Rick Jordan from EBS Entertainment
Easy import. Ingest picture, sound, and metadata from the RED ONE camera.
Native to native. Eliminate QuickTime from the process. Use Avid MetaFuze to transcode R3D files to Avid DNxHD for a truly efficient and dependable workflow.
Ultimate Conform. Finish in Avid DS, the most complete finishing solution for any native RED project.
Finish anywhere. Extensive metadata management for HD or DPX finishing within an Avid product or via third party conform solutions.
No need to choose. Simultaneous tracking of both time of day (TOD) timecode and edgecode.
Keep your color. All color parameters created by REDrushes are preserved and passed through.
Triple play. Use any combination of source references in DI conform: timecode, edgecode, DPX file name/frame count, in addition to the original R3D file name.
Clips: you name it. Edit with friendly, meaningful descriptions for clip names, such as scene and take, without restricting the conform process.
Open to new possibilities. XML representation of the sequence metadata opens the door to third party integration.
Avid FilmScribe Master XML Template
We frequently enhance the Master XML template; get the most recent version here. Replace or add to:
Avid FilmScribe/Supporting Files/FilmScribe_Templates
(Mac OS X and Windows) [zip 6KB]
XSLTs (XML Transforms)
See Step-by-Step Guide for details. [pdf, 4516KB]
16Char EDL Template
Modified CMX 3600 EDL to support the full R3D 16 character source file name. Add to Avid EDL Manager Templates folder to use. (Mac and Windows) [ zip 4KB ]
Avid DNxHD QuickTime Codecs v1.10
These codecs (Mac and PC) allow REDCINE or REDrushes to render directly to Avid DNxHD. Currently REDCINE and REDrushes render to Avid DNxHD 220/180/175 10-bit only.
Avid Metadata Logging and Tracking Whitepaper
Learn about the metadata tracking capabilities of Avid editing products
HD and Avid DNxHD Dailies from R3D files
XSLT Translator Applications
Translate XML files into other file formats using XSLT files with XTrans (Windows) or TestXSLT (Mac). See Step-by-Step Guide for details.
ALE File Creation
Extract metadata from QuickTime files and save as ALE with MetaCheater. For step-by-step details on using MetaCheater, read the Monkey Extract from Rubber Monkey Software quickly renders DPX files and prepares your footage for final conform. (Mac OS X)
Create DPX files via REDCINE using an XML pull list generated by Avocoda’s cineXML (Mac OS X and Windows)
Faites évoluer votre ancien stockage collaboratif Avid avec un expert technique certifié] A l’occasion de l’arrivée du Printemps, CTM Solutions avec
Pour vos nouveaux projets d’équipements en Post-production, investissez dans un stockage collaboratif Avid à l’aide d’un expert technique certifié. A
Nous vous proposons un événement unique pour permettre à vos infrastructures techniques de prendre de l’avance, le Jeudi 30 Juin de
CTM intégre est distribue les solutiosn de HSM de Xendata. XenData est un fournisseur mondial de solutions de stockage de
Parce qu’ il n’y a pas de studios sans écoute ! Mercredi 11 mai de 9h30 à 18h chez CTM Solutions. 7 fabricants d’écoutes
Parce qu’il n’y a pas de studios sans stations de montage et mixage ! Jeudi 12 mai de 9h30 à 13h chez CTM
• HD version utilizes Sony XDCAM HD hardware codecs (plus Avid software codecs for SD) • Up to 4 HD record and playout channels in a small 1.5rU form
Un outil vraiment polyvalent offrant une souplesse et des fonctionnalités accrues. Le HVR-S270E est un tout nouveau camescope HDV d’épaule aux fonctionnalités améliorées : système d’objectif interchangeable, mode d’enregistrement
REDNET 4Focusrite – RedNet 4, préampli 8 canaux AD avec entrées ligne et 2 DI au format Ethernet
